audrey dimola[art for the wild]

Posts Tagged ‘dance

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i am i am i said i’m not myself but i’m not dead & i’m not for sale
hold me closer closer let me go let me be just let me be -STP.

“the pull is visceral. it may also be an act of self-loathing or anger against home or society or even the human condition in which the promise of death shadows us from those first fresh moments of birth.” -scott weiland, ‘not dead & not for sale.’

there comes a time when the pain is too great and you have to make things.

physically- knot them, paint them, scratch them, burn them. scavenge in the street, rip from pages, make a mess. as much of a mess you feel like you are- to create- that.

because- for a person for whom words are everything- sometimes they mean nothing.

and out of this disillusion, disappointment, hurt- something else is born. something in the realm of craft and mystic- synthetic. organic. trash. treasure. dirty hands to remind you you’re still alive and there is still a way to express the infinite bewilderment of that fact.

the only way to truly rail against death is to disappear for awhile- and create something.

//ajd 2.10.16

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“i embrace the day at a time mindset. for me, there’s no other way to live. i’ve got to stay present. i am optimistic. i have to learn to see the beauty in the mundane. i believe this is a key to my spiritual well-being. i have to change my perception and see god’s beauty in everything.”

“the human heart filled with sorrows and gold.”

-scott weiland, ‘not dead & not for sale.’

**works pictured:

. still frame from movement to ‘interstate love song’

. still – collage

. i only have one antler (assemblage to the old life); what are bones for anyway (the stake, & association- ‘dying isn’t the hard part’) [two pieces]

. incomplete initiation [detail]

. breathing is the hardest – collage

. i only have one antler (assemblage to the old life) [detail]

. breathing is the hardest – collage [detail]

. still frame from movement to ‘interstate love song’

. incomplete initiation

. notes from the bottom (this is a cry for help)

**notes to self:

an installation is coming

do everything in the glow of candles and christmas lights

art is a permanent solution to a temporary problem

XO

a.

to let the first (immersive) version of this wily beast loose.

will you join us?

in 2012 on what would’ve been my nana’s 66th birthday i released my first book, “DECISIONS WE MAKE WHILE WE DREAM.” this year the day after my nana’s birthday and the day before mother’s day, i’ll be doing another first: a site-specific immersive experience called “THE WILD PAPERS.” it’s been a (fittingly) wild ride to this moment – starting off with restlessness & ideas, many talks and emails filled with questions to special friends, a writing/sharing workshop at queens council on the arts and finally an unexpected opportunity from monica montgomery to present at the lewis h. latimer house museum (under their ‪#‎museumanarchy‬ program!) that led to even more talks, idea-spinning, playing and inspiration with some beautiful collaborators i am so damn grateful to have: tyler rivenbark, jacob jeffrey horstmeier & kate vander velden. it’s been challenging, terrifying, humbling, goosebump-inducing & insanely FUN.. can’t wait to see where the road goes from here.

TheWildPapersFlyer
flyer by GiAnna Ligammari // art !

The Wild Papers” is Audrey Dimola’s latest project and initiative, a series of performances and workshops centered around sparking memories and dreams, diving headfirst into the stories that make up our lives, and rediscovering – and reclaiming – the limitless spark of wildness within us all.

On May 9th, the Latimer House in Flushing, Queens will be home to the very first incarnation of “The Wild Papers” as a performance – a unique, site-specific experience in the house and its grounds, conceived with inventor/poet/draftsman Latimer’s spirit of the unconquerable, of innovation and creativity.

You will be led through a seamless presentation of vignettes of dreams and memories, told through music, dance, poetry, and theatrical elements both specific and universal, playful and haunting. “The Wild Papers” is an exploration of the joy and poignancy of nostalgia, what we bring with us as we go forward, and what makes us who we are.

We are living with an ENDLESS barrage of memories, thoughts, and emotions, especially when it comes to the idea of HOME. Can you ever really go home again? And if you can, what do you find there – in your loved ones, your memories, yourself…?

Conceived by & featuring:
Audrey Dimola
Tyler Rivenbark
Jacob Horstmeier
Kate Vander Velden
with Diana Benigno

Saturday, May 9th – 6pm
at the Lewis H. Latimer House Museum (#museumanarchy!)
BBQ PARTY with veg options after! (forrealz)
Facebook invite is here.

rock & roll with wild on the side
(did i mention there may be ghosts),

XO

a.

rainbow
A photo my boyfriend took in Hawaii.. :)

Strangely, as a writer.. I am always after the wordless.

Especially after chasing words and meaning your whole life – expressing it in poetry, in prose, in speech, on paper, with a pen, with computer keys – tangible.. There is something so interesting in taking it OFF the page. In making it move.

In going forward in my work I am so excited about playing more with this.. This spirit of freedom, of movement, of cross-genre collaboration – of how the arts inform each other and each express something the other can’t. They fill in the cracks. Inspire the other to break open a little more. Breathe a little more. STRETCH a little more..

I am reminded of this every time I move away from pen and page, from computer keys and screen – my time at The Yoga Room brought this to my field of vision and since then I have never been the same. One of my favorite yoga teachers (who is also an amazing friend) paraphrased Martha Graham and said – the body in motion reveals all. I came back to the mat to practice yesterday and felt it immediately. After weeks and weeks of not doing an actual yoga class – I slipped back into this realm. This LANGUAGE. That doesn’t require any planning or pretense or anything besides – showing up.

So much of life is like that, I realize.

‘Daring Greatly’ is inspiring me again this morning. The author has an amazing vulnerability prayer: Give me the courage to show up and let myself be seen. SHOWING UP. LETTING YOURSELF be seen.. The incredible experience of being involved in the local literary community has taught me this, and hosting/performing at Inspired Word especially, every couple weeks.. Having the ability to see performers at work, being vulnerable, letting themselves be seen, trying new things, freely collaborating, being open – it has a direct effect on me. I recommend it to EVERYONE – to put yourself in situations surrounded by open-hearted, brave, creative people.. Even if you yourself are terrified, or don’t want to perform – there is so much to be said – as I always discuss with my lovely friend and fellow poet Valerie Keane – for just showing up. Being there. EXPERIENCING..

Back to the wordless: REMEMBER that this exists. That there is a whole other realm for you to tap into, especially if you are usually creating in a medium that “doesn’t work that way.” Inspire yourself to step out of the box we always find ourselves in.. Most of the time, we make the box ourselves. WHY do we have to do it this way? WHY can’t we do it differently from everyone else? WHY can’t we change the course of our own history? Be inspired by the work around you and in your surrounding culture, whether mainstream or local – be inspired, but not dictated by it. All it takes is ONE person to do it differently. It always works this way.. Who says we need to stay in the usual forms, and follow suit?

Ntozake Shange has an incredible book that pushes the boundaries called ‘Lost in Language & Sound’ that has been inspiring me so much. Even the way her words look on the page, even the way she spells things – are so different. Her ideas of the “choreopoem” fall in line with things I started to experiment with – the meeting of words and dance is pure POETRY to me.. She writes: & yes/ in order to think n communicate the thoughts n feelings i want to think n communicate/ i haveta fix my tool to my needs/ i have to take it apart to the bone/ so that the malignancies/ fall away/ leaving us space to literally create our own image.

This is exactly how it felt for me to work on “MIRRORS” with my beautiful friend Kym Nolden, who choreographed this piece for debut at my WORLD OF WORDS: QUEENS show at LaGuardia Performing Arts Center this past April. The whole process was an exercise in vulnerability and trusting.. Being so inspired and humbled and shaken up by the openness of the dancers, the craft of dance itself, the hugeness of the show, the fact that I hadn’t even written “MIRRORS” when we started, hadn’t performed with memorization in many moons, never worked with dancers before, and was struck with emotion every time I performed because the subject of the piece was still raw in my heart and mind..

I remember – in the midst of a solid block of other shows and curating craziness, putting together the show, my own jobs and life happenings, exhaustion, stress, nerves, on and on and on.. Finally getting the piece down in my apartment, practicing it over and over, THEN going to the theatre at LaGuardia, performing it with the dancers for the first time – and absolutely falling apart. I couldn’t remember the words or the cues. Here I was – the curator of the show, the author of the piece – the dancers had their choreography down and were so patient and beautiful and open.. And I was screwing it up! Oh, ego. So much I learned.. I had to get out of my own way. I pushed the ego out. I tried hard to let it go. And I went back the next day, a day or so before the show, and stayed in that theatre by myself for a few hours, running it and running it onstage, all alone in front of 300 empty seats. TRUSTING.. In the beauty of the vulnerability. Of the rawness. Of the uncertainty..

When we were children, we used to think that when we were grown up we would no longer be vulnerable. But to grow up is to accept vulnerability. To be alive is to be vulnerable. -Madeleine L’Engle

And at the show – this is what happened. The piece I am most proud of. The style that – god willing – you will see more of. Thank you endlessly to Handan at LaGuardia for giving me space for the show, and to Kym, Jacob, and Sarah for creating this unforgettable experience with me. My heart is eternally bursting with gratitude for your beautiful energies bringing these words to life..

More to come.

Infinitely,

XO

a.

UPCOMING EVENTS:

Hosting COFFEED’s 2nd Inspired Word All-Star Showcase, 9/11/14 [Facebook]
Featured Performer in Canvas of Words’ Preserving Our Roots show, 10/11/14 [Facebook]


Into the wild wonderland…

Celebrated as “a wildfire in a world of fluorescent bulbs,” a “poetic force of nature,” and “inspiration incarnate,” Queens, New York City native AUDREY DIMOLA is a poet, performer, curator, messenger, local arts advocate, community organizer, and lifelong artist, as well as Director of Public Programs at Long Island City’s Socrates Sculpture Park. // Thanks so much for stopping by! You’ll find all my work on this website, past and present, as well as new blog posts. Poetry, prose, videos, events, photos, articles – it’s all here. // STAY WILD, STAY GRATEFUL!

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ABOUT
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POETRY & PERFORMANCE
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PROJECTS
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My Books

I have three poetry & prose collections for sale, proudly self-published. Like what you read? Support an indie!

Decisions We Make While We Dream (2012)

TRAVERSALS (2014)

WILDLIGHT (2018)

Compass Project Poetry Stickers

As of February 2012, I've been sticking my Compass Project poetry and prose stickers up around NYC & sending them around the world! Have you seen some? Want some? Find out more!