audrey dimola[art for the wild]

Posts Tagged ‘scott weiland

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go slowly, see miracles opens fri 5/20/16 from 6-10pm in 43-01 21st street in long island city but will be on view 12-6pm on saturday 5/21 and sunday 5/22!

it’s a little after 2 in the morning and less than an hour ago i returned home from day 3 of my install for LIC arts open 6. sitting down at this blank page (computer screen?!) words just can’t seem to do it justice. carolina and richard from LICAO- thank you, thank you for this opportunity..

this is more than a project, an art installation, a room transformation.. it’s a commemoration. a milestone. this was one of those things- it emerged out of dreams, experiences, words, darkness. to think that- earlier this year, i was in a place where i couldn’t recognize myself, at all. the changes in my life completely displaced me- the decisions, the goodbyes, the wild adventures, the woods, the farms, the art, the risks, all certainty became uncertainty, grounded to a sudden halt. all unfamiliar, hollow, numb. i perceived the disassociation as a new norm.. but out of that darkness- came the beginnings of this. i’m a lifelong writer but also a lifelong artist. when words failed me- i worked with my hands. i worked with scratches and tears, collage, mixed media, the mysticism of found objects, ink and smears, fire. golden paint like byzantine halos. earthen material. the things i couldn’t say- i created. it was the only thing i could do, at that moment.

we often get stuck in our own spheres.. i am a poet- i use voice, i use words. that’s who i am. it’s scary and uncomfortable to own another role (in this case- installation artist), and we so often hesitate. paralyzed by judgment of self and imagined from others.. yet my longing to expand remained. poetry in three dimensions materialized while creating ‘art for the wild’ with my brilliant sister april- found poetry, tearing up books, collaging with images onto wood, onto painted glass bottles, inspiration stones. THE WILD PAPERS in collaboration with some beautiful friends was my first site-specific experience in the theatrical/performative realm- i carry it with me everyday. but i have wanted to create a world of my own since before the conception of that show.. a space i could transform. fairy lights. jungle greenery. hideaways. wonderland.

the roots of this project are deep- but somehow deepest at the moments when i felt my own nearly ripped out from under me. the fact that i am here, in realtime- three days into the installation of that world i dreamed of, the world i laid the foundations of in one of the deepest darknesses i have ever experienced.. the vision is becoming real. the vision is challenging, humbling, emotional, electric, frustrating, EXCITING. BEAUTIFUL. WILD. but it is all mine. my ladder climbs. my sharpie words. my mirror shards. my relics. my tangles. what will you think when you see it? what will you feel? what will the reception be..?

for me, this is not just an installation. it’s the identity i swore i’d lost. the legend i swore i’d lost at the beginning of 2016. my heart, my memories, my story- in three dimensions. in a space. in a world. i feel like i’ve created neverland and now i can go home again.. yet it takes creating something OUTWARDLY to realize that it has always existed INWARDLY.. creation is an incredible thing.

over and over.. you recreate from the ashes. you honor where you’ve been. ’go slowly, see miracles’ is my chance to do that. to prove to myself that i can survive. that i have survived. and i can trust these hands, this head, this heart- to carry me into what will soon be my 30th year on earth.

i choose life. i choose immortality. i choose wildness. gratitude. grace. a prayer of thanks to THE WONDER and the beauty of losing and finding and losing and finding it again.

thank you for being a part of my story.. come see it in front of your eyes this friday, 6pm at the opening for the 43-01 21st st building, filled with incredible art of myriad mediums and 2 other immersive installations.

thank you// mama always. my family. amazing april. scott weiland. nahko bear. ‘to the wonder.’ marcus & zuko. daddy. kristine. j. syd. sana. joan. nick. everyone who finds my writing in the street. the friends who looked for me. the words that saved me. riley, isabella, cristiano, layla. the woods. the ocean. pluf. chris mccandless. jen & TYR. my patron saint peter pan. my guardian angel nana. my TRIBE. LICAO. and the darkness that almost beat me.. for showing me how bright i can be.

[[SO MUCH MORE is going on in LICAO 2016, check out the booklet for all event & exhibition listings! festival runs may 18-22

scenes from the journey thus far… (click on the videos to play them!)

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reflections from tonight:

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{insert really loud peter pan crow here}

XO

a.

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i am i am i said i’m not myself but i’m not dead & i’m not for sale
hold me closer closer let me go let me be just let me be -STP.

“the pull is visceral. it may also be an act of self-loathing or anger against home or society or even the human condition in which the promise of death shadows us from those first fresh moments of birth.” -scott weiland, ‘not dead & not for sale.’

there comes a time when the pain is too great and you have to make things.

physically- knot them, paint them, scratch them, burn them. scavenge in the street, rip from pages, make a mess. as much of a mess you feel like you are- to create- that.

because- for a person for whom words are everything- sometimes they mean nothing.

and out of this disillusion, disappointment, hurt- something else is born. something in the realm of craft and mystic- synthetic. organic. trash. treasure. dirty hands to remind you you’re still alive and there is still a way to express the infinite bewilderment of that fact.

the only way to truly rail against death is to disappear for awhile- and create something.

//ajd 2.10.16

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“i embrace the day at a time mindset. for me, there’s no other way to live. i’ve got to stay present. i am optimistic. i have to learn to see the beauty in the mundane. i believe this is a key to my spiritual well-being. i have to change my perception and see god’s beauty in everything.”

“the human heart filled with sorrows and gold.”

-scott weiland, ‘not dead & not for sale.’

**works pictured:

. still frame from movement to ‘interstate love song’

. still – collage

. i only have one antler (assemblage to the old life); what are bones for anyway (the stake, & association- ‘dying isn’t the hard part’) [two pieces]

. incomplete initiation [detail]

. breathing is the hardest – collage

. i only have one antler (assemblage to the old life) [detail]

. breathing is the hardest – collage [detail]

. still frame from movement to ‘interstate love song’

. incomplete initiation

. notes from the bottom (this is a cry for help)

**notes to self:

an installation is coming

do everything in the glow of candles and christmas lights

art is a permanent solution to a temporary problem

XO

a.

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of winter and the war. at this point i only care for what will bring me back to life.. happy (belated) snowstorm, nyc.

“you must not give way to desires which you don’t believe in. i know what you desire. you should, however, either be capable of renouncing these desires or feel wholly justified in having them. once you are able to make your request in such a way that you will be quite certain of its fulfillment, then the fulfillment will come. but at present you alternate between desire and renunciation and are afraid all the time. all that must be overcome.”

“i have been and still am a seeker, but i have ceased to question stars and books; i have begun to listen to the teachings my blood whispers to me. my story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams- like the lives of all men who stop deceiving themselves.”

-hesse, ‘demian.’

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when i dream it’s of us looking down, watching everyone else from the heavens.
-s.w.

i kiss you in the space
where wings should be
place my fingers
on your ribs
where candles could be
you’d think our hearts
would be tired of this
by now
but the snow is enough
pull up the blankets
fold back into
the memory.
there are never enough
words about you
scribbled in half-light
with white-out outside
slipping in like
reality under sheets of
perception
you have always been
beautiful enough
to make me forget
everything
else-
and so i
fit myself against you
like a prayer
i somehow still remember
how to say.
your body-
tones to some
other world
i am following
my own
sunken footsteps to
winter, reprise-
again.
how many times
can you write and
rewrite
your skin it
makes these
words, my
body remembers
to trust you
in these
frigid days
the first and last place
to ever truly find
the only warmth that
could receive me-
only.
i am writing you again
when i swore i wouldn’t
your flesh under my pen,
hot.
like the whispers you make
in sanctuary,
half gracious, half afraid,
when something other than god
breathes the chill
into the wind-
our legends are dead..
sleep until
the winter light
seems brighter
than the rest-
no page could contain
you..
your foot against mine
twitches
sinking into
snow footprints
on the other side,
are you
following me
this time?
if i could
slip this pen
between your
bones i’d say
leave it there
because
there’s always
something else
to be written,
rewritten
black ink, my
name
scribbled over
lost fingertips
of those who
touched you
while i was
gone
is it
possible
to rewrite a
memory?
trust my
hands
because
the words came
from there too
and the hands
take work
the ways they
make you
understand
in ways the
heart never
could
i am doing
this work
right now
for another winter
too long to
remember
separation
too short to
ever
ever
forget.
i kiss the space
where your wings
should be
because i still
remember
they could.
words are hands
and hands are
prayer
alive, tonight.
i light the
candle where
your rib
should be
god’s unsteady
hand
cracked
that bone
when he made
me.
he knew
the two
of us
wouldn’t learn
enough
if we were
complete..
sleepwalking
back
to the origin story
in a blizzard.
isn’t that just
what we
always
do?
trust the hands
when the
heart
can’t see-
another winter
in our
muscle
memory.

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om agnaye namaha,

XO

a.


Into the wild wonderland…

Celebrated as “a wildfire in a world of fluorescent bulbs,” a “poetic force of nature,” and “inspiration incarnate,” Queens, New York City native AUDREY DIMOLA is a poet, performer, curator, messenger, local arts advocate, community organizer, and lifelong artist, as well as Director of Public Programs at Long Island City’s Socrates Sculpture Park. // Thanks so much for stopping by! You’ll find all my work on this website, past and present, as well as new blog posts. Poetry, prose, videos, events, photos, articles – it’s all here. // STAY WILD, STAY GRATEFUL!

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My Books

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Decisions We Make While We Dream (2012)

TRAVERSALS (2014)

WILDLIGHT (2018)

Compass Project Poetry Stickers

As of February 2012, I've been sticking my Compass Project poetry and prose stickers up around NYC & sending them around the world! Have you seen some? Want some? Find out more!