shedding light, trusting darkness

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‘and what do you wield, warrior?’
‘the sword i pulled from my own heart.’
‘but you do not wish to carry this weapon, 
onward, for your journey?’
‘i only wish to carry a prayer. 
to see and be seen.’

hello out there my beauties,

i wanted to let you know that the most honest thing i have written on the internet has just been published by an amazing site called REBELLE SOCIETY- it’s called “how my experience with mental illness helped me trust my darkness.”

A wise and wild coyote once told me, “It is in happiness that you will find the seeds of sadness. And it is in sadness that you will find the seeds of light.”

When I was a kid, I couldn’t bear to be in complete darkness. Even as a teenager, there was always a light somewhere: a nightlight in the kitchen, light in a window next door, streetlight outside. My journey has been to find that light in myself, instead of always seeking it outwardly.

I didn’t know what true freedom was like until I lived through this story. I had a conception of freedom and a lot of daring cliff-jumps, but the darkness remained a sign and a trigger.

Throughout my whole life, this specter of the idea of darkness chased and chased me. Or maybe it never actually moved — just stood, luminous and unending — and I kept running. I have messages written all over my body, to remind myself of the truth — about the dark, about myself.

I have always been a personality of extremes. This is my gift, in my new legend: to be able to viscerally feel, process, move through ecstatic heights and drastic lows, with not much in between.

The “not much in between” though was my own conception. The instinct to keep running, searching for higher ground, safer territory, more abundant provisions, without realizing perhaps I could, with time, just stay here. Grow these seeds of my own planting. Take some time, gaze into the night, into the earth, into the darkness, into the silence, into myself, and not only see and receive what is there, but to trust it.

This is not just a story about struggling with mental illness. It is a story about what every man, woman and spirit is here to grapple with: personal freedom and personal truth, and how they are inextricably intertwined.

YOU CAN READ THE REST OF THE ESSAY [RIGHT HERE] …

it’s powerful and unnerving and surreal to be able to have clarity on this journey- and to be able to share it in this way, in a way that undercuts the usual disempowering narratives about mental illness and provides an entry point into radical recontextualization and reclamation of your own legend.

thanks to my fierce and wonder-full friend shafina, on 11/16 i will be telling an off-book, organic version of this story at my first storytelling show, HOW TO BUILD A FIRE, at open source gallery one week from today. the theme is RESILIENCE [more info]

some more events coming up: [here]
and my latest book of poetry & prose, WILDLIGHT, is still on sale [here] !

i’m open to your thoughts, words, wishes- let me know if you have ideas for collabs- i’m all ears for projects you dream up and opportunities to speak the legend…

from wanting creature to
proclaimer of the word //

with biggest big love,

XO

a.

“and of course i am afraid, because the transformation of silence into language and action is an act of self-revelation, and that always seems fraught with danger.”
“we can learn to work and speak when we are afraid in the same way we have learned to work and speak when we are tired. for we have been socialized to respect fear more than our own needs for language and definition, and while we wait in silence for that final luxury of fearlessness, the weight of that silence will choke us. the fact that we are here and i speak these words is an attempt to break that silence and bridge some of those differences between us, for it is not difference which immobilizes us, but silence. and there are so many silences to be broken.” -AUDRE LORDE.

*tattoo image at the top is one of my latest, from karen glass tattoo XO

17.

hello, my friends and loves and wild kindreds. here we are.

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i wrote this at the end of 2016:

many things have happened to me this year, i have caused many things to happen this year. some of the greatest triumphs, some of the deepest lows. this is what i learned: each day we are asked to hold a candle up against the things and people we love, in order to truly see them. to remember how to see them. but it is a definitive action, a powerful choice. an interaction, not passive. this is how the light works. sometimes our habitual or learned choice is darkness. we cannot always resemble the decisiveness of fire or the horizon or blades of grass. or soaking rain. we must make a choice, a conscious choice. for what we want to be, what we want to bring. to choose to heed or ignore the question posed to us, everyday. because whether or not we listen, the question is always there. will you hold up your candle to see things as they are? things and people worth fighting for. you, yourself, worth fighting for. it takes action. and i wish your body and soul recognition of that eternal, inherent movement, and the power in it. that no matter how much we recede into the darkness- hide, seethe, recoil, hurt. there is always potential to return the pendulum swing, call back the eternal question. back to the light. #happynewyear

**

what else?

the debut of reliquary: the body was my last performance of 2016 (you can read the full piece HERE), with amazing fotos by geo geller below…

it was something totally different for me, edges i need to continue pushing and playing with.

i cried when this was over and i cried into the mirror before it started. everything screamed in my head not to trust. i was more nervous than i can remember being for a performance in so, so long. i released the deepest and darkest. the cracked doorways and red sheets. it was done. and i just lost myself inside it. i seldom memorize my work, get stuck on perfection or fear of forgetting words, and just forget what’s possible in the visceral. this is what’s possible. to just give it, fully. and let it go. thank you with my whole heart to edjo wheeler & LIC-A and everyone who watched me debut ‘reliquary: the body.’ everyone who was moved. it was beyond me. i know that through everything, i just have to continue pushing. #thankyou

this is the video by bill hopkins which i feel so lucky to have…

and this

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1.1.17 first day of the world:

some days you ride with the current. swiftly, effortlessly. the earth seems peopled with feelings, with presence. walking alone is not walking alone. it is not being afraid. not feeling the passage of time. i remember, now, walking this bridge under delicate slice of crescent moon, cars roaring. how it felt to walk the woods alone. stand on the edge of the road at night. sit in the field, watch vultures circling. i fear again and again i will be robbed of myself. but it is just a matter of slipping back into the stream. nothing gained, nothing lost. resuming, pulse of the infinite. onward, and on.

**

find me, here [upcoming events]

including- something very close to my heart:

HOW WE CREATE/HOW WE COPE:
intersections of art & mental health/mental illness

Friday, February 10th, 6:30-8:30pm
at Queens Council on the Arts’ LAB space in Astoria [Facebook invite]

Queens native and poet/curator Audrey Dimola hosts a panel and performance evening aiming for safe space, honest talk, and open presentations about the too-often stigmatized topic of mental illness, particularly in connection to the creative experience. Throughout our cultural history, many of the legendary artists we know today grappled in this way- yet it becomes a passing line in their bio, a tragic footnote; and their brilliant work remains. In the present day, an increasing number of individuals of all ages are struggling in similar fashion, frequently in silence and shame, for fear of judgment and unanswered questions. How much of how we suffer makes us who we are and results in the art we create? How much of these feelings are the natural experience of the artist, and when is it time to seek help? What do those forms of help look like? A variety of local featured artists will present their stories, poetry, music, visual art, and more, in addition to facilitated discussion, Q&A, and sharing of resources/experiences on these topics. All are welcome, your voice is encouraged.

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1 is the year of completion,

(with gratitude for you always)

XO

a.