hello, my friends and loves and wild kindreds. here we are.
i wrote this at the end of 2016:
many things have happened to me this year, i have caused many things to happen this year. some of the greatest triumphs, some of the deepest lows. this is what i learned: each day we are asked to hold a candle up against the things and people we love, in order to truly see them. to remember how to see them. but it is a definitive action, a powerful choice. an interaction, not passive. this is how the light works. sometimes our habitual or learned choice is darkness. we cannot always resemble the decisiveness of fire or the horizon or blades of grass. or soaking rain. we must make a choice, a conscious choice. for what we want to be, what we want to bring. to choose to heed or ignore the question posed to us, everyday. because whether or not we listen, the question is always there. will you hold up your candle to see things as they are? things and people worth fighting for. you, yourself, worth fighting for. it takes action. and i wish your body and soul recognition of that eternal, inherent movement, and the power in it. that no matter how much we recede into the darkness- hide, seethe, recoil, hurt. there is always potential to return the pendulum swing, call back the eternal question. back to the light. #happynewyear
the debut of reliquary: the body was my last performance of 2016 (you can read the full piece HERE), with amazing fotos by geo geller below…
it was something totally different for me, edges i need to continue pushing and playing with.
i cried when this was over and i cried into the mirror before it started. everything screamed in my head not to trust. i was more nervous than i can remember being for a performance in so, so long. i released the deepest and darkest. the cracked doorways and red sheets. it was done. and i just lost myself inside it. i seldom memorize my work, get stuck on perfection or fear of forgetting words, and just forget what’s possible in the visceral. this is what’s possible. to just give it, fully. and let it go. thank you with my whole heart to edjo wheeler & LIC-A and everyone who watched me debut ‘reliquary: the body.’ everyone who was moved. it was beyond me. i know that through everything, i just have to continue pushing. #thankyou
this is the video by bill hopkins which i feel so lucky to have…
1.1.17 first day of the world:
some days you ride with the current. swiftly, effortlessly. the earth seems peopled with feelings, with presence. walking alone is not walking alone. it is not being afraid. not feeling the passage of time. i remember, now, walking this bridge under delicate slice of crescent moon, cars roaring. how it felt to walk the woods alone. stand on the edge of the road at night. sit in the field, watch vultures circling. i fear again and again i will be robbed of myself. but it is just a matter of slipping back into the stream. nothing gained, nothing lost. resuming, pulse of the infinite. onward, and on.
find me, here [upcoming events]
including- something very close to my heart:
HOW WE CREATE/HOW WE COPE:
intersections of art & mental health/mental illness
Friday, February 10th, 6:30-8:30pm
at Queens Council on the Arts’ LAB space in Astoria [Facebook invite]
Queens native and poet/curator Audrey Dimola hosts a panel and performance evening aiming for safe space, honest talk, and open presentations about the too-often stigmatized topic of mental illness, particularly in connection to the creative experience. Throughout our cultural history, many of the legendary artists we know today grappled in this way- yet it becomes a passing line in their bio, a tragic footnote; and their brilliant work remains. In the present day, an increasing number of individuals of all ages are struggling in similar fashion, frequently in silence and shame, for fear of judgment and unanswered questions. How much of how we suffer makes us who we are and results in the art we create? How much of these feelings are the natural experience of the artist, and when is it time to seek help? What do those forms of help look like? A variety of local featured artists will present their stories, poetry, music, visual art, and more, in addition to facilitated discussion, Q&A, and sharing of resources/experiences on these topics. All are welcome, your voice is encouraged.
1 is the year of completion,
(with gratitude for you always)